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The Fan Museum Trust acquires a unique embroidered folding fan, c. 1590-1630

2nd July 2015 Jacob Moss4,556 views

The Fan Museum is delighted to announce it has acquired, with the generous support of the Art Fund and National Heritage Memorial Fund (NHMF), a unique piece of fan history in the form of an embroidered folding fan, c. 1590–1630.

No other examples of this type of fan – that is to say a folding fan with sticks joined at the pivot end with a cord or ribbon – are thought to have survived. Fans such as this were fashionable for a relatively short period only, worn often in conjunction with wheel farthingale dresses – as popularised at the Court of Queen Elizabeth I. The fan is a remarkable survival and dates from a time when folding fans had only recently been introduced to Europe via trade with the East, thus replacing the fixed fan as the noblewoman’s essential costume accessory/status symbol.

The fan has shaped sticks crafted from ivory. The outer guardsticks, set with tufts of silk, are pierced with minute holes through which fine threads connect monture to mount on either side. The silk mount is double and richly embroidered with polychrome and metallic threads in a style typical of the Elizabethan period. A charming panelled design of scrolling vines with assorted flowers, fruit (and snail) is repeated on both sides.

In England the craft of fan making did not begin to take form until the latter stages of the seventeenth century. It is quite possible the ivory fan sticks were shipped from the Far East to the Continent (where fan making was already established) whereupon the fan was assembled before arriving in England to be hand embroidered.

The fan was secured for £45,000 with both NHMF and the Art Fund contributing £12,500 each, plus a further £1,500 from the Art Fund towards a display case for the fan. Other donors included the Friends of The Fan Museum.

Sir Peter Luff, Chair of NHMF, said: “The National Heritage Memorial Fund secures the UK’s most precious heritage at risk for future generations to enjoy and learn from. Now, this incredibly rare survival, which provides unprecedented insight into the little known origins of fan manufacture in England, joins a cornucopia of national treasures secured for the nation.”

Stephen Deuchar, director of the Art Fund, said: “We were impressed by the striking appearance of this important fan and feel sure it will both greatly enhance the museum’s collection and delight its visitors. We were pleased to offer an additional sum to support the conservation, interpretation and exhibitions plans for this exciting new acquisition’

In early September 2015, the fan will go on long-term display within the museum’s permanent gallery. A mixed programme of events is planned to celebrate the acquisition and includes the premier of a new play based on the lives of Elizabethan literary heroes, Shakespeare & Marlowe (July 22 and 23 2015).

Embroidered folding fan, c. 1590-1630

Embroidered folding fan, c. 1590-1630

 

 

 

Upcoming Events

Talking Fans > Dance Fans and the Georgian Assembly Room

Wednesday 25 May 2022 at 19.00hrs BST

In eighteenth and nineteenth century Europe, assemblies and balls were the centre of the Season where complex dances and social relationships played out. A plethora of dance manuals and sheet music were created to teach the music and social etiquette of the assembly rooms, which included the popularisation of the Country Dance fan and Quadrille fan. Join TFM Curatorial Assistant Ailsa Hendry as she explores the relationship between dance, fans, and society during this period.

Talking Fans > Art of Deception: 18th Century Trompe l’œil Fans

Wednesday 22 June 2022 at 19.00hrs BST

The French term trompe l’œil can be translated as ‘trick of the eye’ and applies to works of art which create an illusion of a real object or scene. Although its origins can be traced back to the Classical period, the trompe l’œil phenomenon is especially prevalent in the eighteenth century and is applied in varying ways to fans throughout the period. Join TFM Curator & The Arts Society Lecturer, Jacob Moss as he explores the trompe l’œil trend as seen on a variety of eighteenth century fans from the Museum’s outstanding collections.

Summer Lecture with Hélène Alexander

Wednesday 27 July 2022 at 19.00hrs BST

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